Isha Ambani Trolled for Wearing Designer Bandhani Saree-Gown: Netizens Unimpressed

Isha Ambani, daughter of business magnates Mukesh and Nita Ambani, recently made headlines for her fashion choice at a high-profile event. Known for blending tradition with luxury, Isha wore a custom gown designed by the Italian fashion label Roberto Cavalli. While many praised her outfit for its unique blend of Indian and Western styles, the internet had mixed reactions — and some were far from kind.

A Blend of Indian Art and Italian Fashion

The gown was a result of a months-long collaboration between Isha and Roberto Cavalli, under the creative direction of Fausto Puglisi. It was designed to be a statement piece combining Indian tradition and modern elegance. The outfit was made using bandhani, a traditional tie-dye technique from Kutch, Gujarat. The fabric, known for its vibrant dots and patterns, gave the outfit a rich texture and a strong cultural identity.

The bright pink sleeveless gown was completely hand-stitched by skilled Indian artisans. The design took inspiration from Cavalli’s 2012 work with Vogue India, which celebrated the fusion of Eastern and Western fashion. According to celebrity stylist Anaita Shroff Adajania, the gown symbolised the power of craftsmanship and cross-cultural creativity.

She shared Isha’s pictures on Instagram, writing, “This was a very special collaboration, combining Indian craftsmanship and Italian couture. The bandhani fabric was made by artisans from Kutch over several months.”

Internet Users Not Impressed

Despite the thought and effort behind the gown, many social media users were unimpressed. Some felt that the look did not do justice to the beauty of a traditional saree and called the outfit a poor mix of styles. One person sarcastically commented, “Even a local boutique in Pandav Nagar could turn a saree into this.” Another said, “I’ve seen better material at Sarojini Nagar.”

Many felt that just because a global brand was involved, it didn’t make the dress more special. A few pointed out that using old saris to create dresses is a common practice in India, especially in southern states, and doesn’t necessarily count as fashion innovation.

One user wrote, “In South India, we’ve been turning old Kanchipuram saris into frocks for years. This isn’t new or revolutionary.” Another added, “Give this fabric to a local tailor, and they might make something even better — without the fancy price tag.”

Mixed Reactions

While fashion experts appreciated the artistic value of Isha’s gown, a large section of the public found it unrelatable. The mixed reactions highlight how different audiences view fashion — some focus on craftsmanship and collaboration, while others look for authenticity and emotional value.

At the end of the day, Isha’s gown started a much-needed conversation about what modern Indian fashion really means, and whether global luxury always adds value to traditional wear.